Essais de Michel de Montaigne — complets
- Langue:
- anglais
- État:
- Œuvre complète
- Paternité:
- Écrite par l'auteur
- État du texte:
- Texte propre
- Étendue:
- ~540 000 mots · 2 578 passages
Citer cette œuvre
- APAMichel de Montaigne. (n.d.). Essais de Michel de Montaigne — complets. SigPhi. https://sigphiai.com/fr/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete
- MLAMichel de Montaigne. "Essais de Michel de Montaigne — complets." SigPhi, https://sigphiai.com/fr/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
- ChicagoMichel de Montaigne. Essais de Michel de Montaigne — complets. SigPhi. https://sigphiai.com/fr/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
De quoi il s'agit
Un peu plus de cent essais sur tout — la peur, l'amitié, les cannibales, les coches, la mort — où l'auteur s'examine lui-même, seul sujet qu'il connaisse de près.
Contexte et histoire
Montaigne se retira de la vie publique en 1571, à 38 ans, dans la tour de son château, et y écrivit vingt ans durant, tandis que les guerres de religion ravageaient la France. Il inventa le mot « essai » au sens de tentative : aucun texte ne prétend conclure. Il ajouta des couches au fil des éditions sans effacer l'état antérieur, si bien que le livre garde ses propres contradictions sous les yeux du lecteur.
Contexte éditorial, non une source citable : contrairement aux passages de l'œuvre, ces données ne peuvent pas être vérifiées dans le corpus.
The present publication is intended to supply a recognised deficiency in our literature--a library edition of the Essays of Montaigne. This great French writer deserves to be regarded as a classic, not only in the land of his birth, but in all countries and in all literatures. His Essays, which are at once the most celebrated and the most permanent of his productions, form a magazine out of which such minds as those of Bacon and Shakespeare did not disdain to help themselves; and, indeed, as Hallam observes, the Frenchman’s literary importance largely results from the share which his mind had in influencing other minds, coeval and subsequent. But, at the same time, estimating the value and rank of the essayist, we are not to leave out of the account the drawbacks and the circumstances of the period: the imperfect state of education, the comparative scarcity of books, and the limited opportunities of intellectual intercourse. Montaigne freely borrowed of others, and he has found men willing to borrow of him as freely. We need not wonder at the reputation which he with seeming facility achieved. He was, without being aware of it, the leader of a new school in letters and morals. His book was different from all others which were at that date in the world. It diverted the ancient currents of thought into new channels. It told its readers, with unexampled frankness, what its writer’s opinion was about men and things, and threw what must have been a strange kind of new light on many matters but darkly understood. Above all, the essayist uncased himself, and made his intellectual and physical organism public property. He took the world into his confidence on all subjects.…
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