Essais de Michel de Montaigne — complets
- Langue:
- anglais
- État:
- Œuvre complète
- Paternité:
- Écrite par l'auteur
- État du texte:
- Aucun bruit de numérisation détecté (mesure automatique sur tout le texte, non vérifiée à la main)
- Étendue:
- ~540 000 mots · 2 578 passages
Citer cette œuvre
- APAMichel de Montaigne. (n.d.). Essays of Michel de Montaigne — Complete [Essais de Michel de Montaigne — complets]. Digital reproduction: SigPhi. https://sigphiai.com/fr/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete
- MLAMichel de Montaigne. Essays of Michel de Montaigne — Complete [Essais de Michel de Montaigne — complets]. Digital reproduction, SigPhi, https://sigphiai.com/fr/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
- ChicagoMichel de Montaigne. Essays of Michel de Montaigne — Complete [Essais de Michel de Montaigne — complets]. Digital reproduction, SigPhi. https://sigphiai.com/fr/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
Référence de l’édition reproduite. SigPhi est la reproduction numérique. Année, éditeur et traducteur sont indiqués lorsqu’ils sont connus ; « n.d. » signale une année inconnue.
De quoi il s'agit
Un peu plus de cent essais sur tout — la peur, l'amitié, les cannibales, les coches, la mort — où l'auteur s'examine lui-même, seul sujet qu'il connaisse de près.
Contexte et histoire
Montaigne se retira de la vie publique en 1571, à 38 ans, dans la tour de son château, et y écrivit vingt ans durant, tandis que les guerres de religion ravageaient la France. Il inventa le mot « essai » au sens de tentative : aucun texte ne prétend conclure. Il ajouta des couches au fil des éditions sans effacer l'état antérieur, si bien que le livre garde ses propres contradictions sous les yeux du lecteur.
Contexte éditorial, non une source citable : contrairement aux passages de l'œuvre, ces données ne peuvent pas être vérifiées dans le corpus.
the ruins of so gigantic a structure must have commanded greater reverence-it was nothing but her sepulchre. The world, jealous of her, prolonged empire, had in the first place broken to pieces that admirable body, and then, when they perceived that the remains attracted worship and awe, had buried the very wreck itself.--[Compare a passage in one of Horace Walpole’s letters to Richard West, 22 March 1740 (Cunningham’s edit. i. 41), where Walpole, speaking of Rome, describes her very ruins as ruined.]--As to those small fragments which were still to be seen on the surface, notwithstanding the assaults of time and all other attacks, again and again repeated, they had been favoured by fortune to be some slight evidence of that infinite grandeur which nothing could entirely extingish. But it was likely that these disfigured remains were the least entitled to attention, and that the enemies of that immortal renown, in their fury, had addressed themselves in the first instance to the destruction of what was most beautiful and worthiest of preservation; and that the buildings of this bastard Rome, raised upon the ancient productions, although they might excite the admiration of the present age, reminded him of the crows’ and sparrows’ nests built in the walls and arches of the old churches, destroyed by the Huguenots. Again, he was apprehensive, seeing the space which this grave occupied, that the whole might not have been recovered, and that the burial itself had been buried. And, moreover, to see a wretched heap of rubbish, as pieces of tile and pottery, grow (as it had ages since) to a height equal to that of Mount Gurson,--[In Perigord.]--and thrice the width of it, appeared to show a conspiracy of destiny against the glory and pre-eminence of that city, affording at the same time a novel and extraordinary proof of its departed greatness.…